Showing posts with label Cliff Sales. Show all posts
Showing posts with label Cliff Sales. Show all posts

Saturday, February 8, 2014

Internal Affairs - DR-20 or The Adam-12 Crossover Episode!

Tonight's episode makes Top Twenty, again- because of weirdness - dramatizing a banal investigation and a James Doherty snoozer of an episode - No offense - I think he did the best he could. Police brutality was huge on people's minds when this episode aired, 12-12-68.

Maybe he knew it would take a back seat to the fact that this episode is a crossover and uses the set and even the stars of Jack Webb's Other Show.

In real life, I am just slightly past the jarring 'Elegy for a Pig' episode, so this one fits in along with what one would expect from Officer Jim Reed and Officer Pete Malloy. Prior to 2014, I thought they were just terribly interesting background characters. We knew Kent McCord, of course, but who's this freckled Martin Milner guy? He's never been in Dragnet before in color. This is his first time! He previously appeared in a black and white episode called The Big Producer.

So, yes, lots of special things about this episode mark it as a great season three effort by everyone.

We just re-watched it, and nearly went back to sleep. Hang in there, people!

"This is the city-- Los Angeles, California. I work here. I carry a badge."


One zoom shot and we are in.

(I still really can't stand the Dragnet theme song.)

This is the same as where all the black and white units park as an establishing shot for Adam-12:


They are calling it Sunset Divison; but I think in real life the location is Rampart. I'm sure one of you knows.

There's another Adam-12 detail: the fallout shelter sign (right) along with the textured concrete masonry wall to the left.




The direction takes cues from Adam-12 as Joe and Bill tour nearly every inch of the Adam-12 station set by way of brisk walking and cameras dollying everywhere!


Let's do this.


Everything is so lovely and organized. Jail is here, Watch Commander is here, Exit, right over there, Detectives? Put them down there behind that door. 


The silver bullet-can-thing in the far left of frame is an ash tray. I bumped my head on them when I was a little kid sometimes.


Surprise! Art Gilmore is running the station!

Check out these paper mailboxes in this universe what existed before E-anything or i-Anything.
That phone he's holding  - has a CORD.


HOLD THE PHONE

It's a cute production detail that they had to leave the glass panes out of all of the windows at camera-level. Too much light reflecting.


THIS IS A REALLY COOL SET


YES THE MARK VII TEAM DID A GREAT JOB CROSSING IT OVER, TOO


Well, it's obvious we're never leaving the station until it's all over.



We stroll by some Adam-12 style background acting.

At last, we are using Art's office for our *many* interviews.



First up: Peter Duryea, also known as Bully Boy.

This time around, he wants you to know that's he's "no kook."
"I work for a living," he says, "I don't burn draft cards, picket politicians, or smoke pot. I pay my bills and I pay my taxes. I just want to get the record straight, understood?"


Now he lives at 221 Garland Street.

(And it turns out, he was a huge asshole the whole time.)

A likely story. I'm not sure that Dragnet's ever going to give us any more real places.


Oh yeah, They have a made up department store called Cliveden's where four of these characters work.
They have mentioned it in previous season three episodes.


JOE WE ALREADY DID "HOLD THE PHONE"


Ol' Stone-face.
 I think Gannon calls him that or Ol' Stony in S3e4/Joe's Apartment.


They cover every square meter of this police station set! I've spotted two pencil sharpeners already.


Assembly room!


WOW THAT IS ONE BIG ASSEMBLY ROOM SET:


Congratulations to you, Kent; Martin. Suzy Dragnet has learned how to put the images together with no more black surround unless it's defaulted into the setting for the UI render. All applaud.


It's too bad that her beloved version of Photoshop is pretty much dead. I don't think it will run on Yosemite.


Martin Milner.

Computers! The future! What is he up to, Wikipedia?

Holy Crapping Crap. Martin is 82 years old.

If somebody sees him, tell him that I'm a fan and I'm trying to help keep the love for Adam-12 and Dragnet with my blogs and twitter and stuff. Hopefully he's okay and everything.


Kent McCord.

What does Wikipedia say about you?

Kent was seriously around 22 when this was shot. Gannon actually gets a line about his youth.

We even get to go to the coffee room to chat with the other red haired guy. Not the one from Georgia Juvenile; the other one… Cliff Sales! Ha! I figured out which one you are!


More interviews in the office piece of the set.



Let's welcome back that lovable Dragnet scamp Jack Sheldon!


"I am a lovable scamp!"

Time for John McCook.



"Look, Man, this coat is cool and my hair looks totally awesome."

Anne Whitfield's Dragnet debut:


The stripes don't really work; her hair looks nice.

Hal England:


"I just got here from hosting a fake game show I made up."

Penny Gaston is back:


Vincent Dee really dolled her up, this time! Shocking purple with a gold, black, and white scarf!
Très chic!

Tracy Vance:


Lace and a big bow? Ok, I guess I'll take it.

Linda Weeks:


She is wearing the "good witch" version of another Vincent Dee outfit - the one he made for the child abuse mom in the episode with that lady with the kinda cool, way out bizarre accent.

I like it. Both versions. Linda's scene was very short.



Bye, Art Gilmore. It was nice to see you for an episode.


I MISS BEING ON DRAGNET ALL THE TIME TOO

"On October 20th, John Meadows pleaded guilty in Municipal Court, City of Los Angeles, to the charges of interfering with a police officer and resisting arrest, both misdemeanor offenses. On that same day, the Chief of Police of the City of Los Angeles made a decision in the matter of Officer Edward Hillier….


"John Meadows was given a thirty day sentence in the Los Angeles County Jail. 
Since it was his first offense, the sentence was suspended."


"The accused police officer Edward Hillier waived his right to a hearing by board of his superior officers. In the judgement of the chief of police, he was considered to have used excessive force in the apprehension of John Meadows. He was suspended from duty for thirty days with complete loss of pay and benefits." 

I bet that was a long thirty days at Officer Ed Hillier's house.

That was a long episode of Dragnet.

S3e12

Starred
Jack Webb as Sergeant Joe Friday
Harry Morgan as Officer Bill Gannon

From "Adam-12"
Martin Milner as Officer Pete Malloy
Kent McCord as Officer Jim Reed

With
John McCook as Ed Hillier
Anne Whitfield as Irene Hillier
Peter Duryea as John Meadows
Jack Sheldon as Ted Nichols
Art Gilmore as Lieutenant Moore
Hal England as Harry Burns
Penny Gaston as Patsy Cronin
Tracy Vance as Mary Kay Morton
Linda Weeks as Alice Jenkins
Cliff Sales as Patrolman Tom Pollack

Additional Cast (any extras sightings?)

Additional Notes
I love how flippantly Joe treats doors. He uses his magic Jack Webb touch and the door just pops right open. Barely does he even have to touch it. Does he touch it? Is he secretly a zen master or knows how to use "the force" or something? Can he teleport? Is he secretly here on a mission from another civilization? Is Joe Friday an alien? Illuminati? Stay tuned next week for Dragnet Conspiracy Theories.
Nah, just kidding. It's going to be another episode breakdown just like this, but hopefully it will have some locations and time spent in the car. Maybe a night driving sequence! I love those.

Art Direction - John E. Chilberg, II
Set Decor - John McCarthy & John Sturtevant
Costumes - Vincent Dee

Written by James Doherty - He has more to give us as 2014 rolls along and our Dragnet Time Machine takes us through 1970. But it's going to be O.K. We can watch Adam-12 together, too.

Aired 12 December 1968

See you in the comments & thanks for tuning in,
Suzy Dragnet

Saturday, December 14, 2013

Management Services - Dr-11 / Emergency Control Center

In this episode, Jack Webb paints the police as compassionate people that work hard to protect their city. It is quite a sweet sentiment.

Jack Webb hated racism as much as he hated pot. This is indicated by way of this tribute to Martin Luther King, Jr. penned by James Doherty.

I suppose if Los Angeles were a crazy enough place to be able to contain more than one cop show at once, then perhaps it is remarkable that the city did not have riots. So frightening! My town has shown up on some cop show lately and it's just too much like exploitation to be watchable for me. 

I know what it's like when my feelings have a riot.

All right, let's do this thing!


Already we are off to a special 'Top Ten' opening with the monologue being about L.A. art establishments.


"This is the city-- Los Angeles, California.


It has recently become the leading arts center in the West.





Twenty million dollars' worth of concrete and steel.


It's the largest museum built in the United States since 1941.


La Cienega Boulevard is lined with private galleries representing every price in art.




Some are for the public.




Others require an appointment.


But the pride of Los Angeles is the Watts Towers built by Sam Rodia.




It took him over 33 years.

The towers are constructed of concrete, broken glass, and chips of stone.


Sam Rodia was an Italian immigrant who wanted to do something for the United States because, as he said, "There are nice people in this country."



Mostly, they are nice, but not always. Sometimes they can get mean.
When they do, I go to work. I carry a badge."


There is a boom mic shadow on the top of the doorframe diagonally to the right above Harry Morgan:


This episode is pretty much another bottle episode, but without that 'dammit' quality.


Room 709: Management Services Division.

I still wonder why these walls aren't PAB green. This is the fourth episode of season three!


I blame it on John E. Chilberg, II, but maybe Parker center was repainted, or the seventh floor is a different color.


Art Balinger & Marc Hannibal:


Art gets to say 'shanghaied'.


THIS is Ed Deemer:


And he has a pretty cool tie.


DAMMIT I'M ART BALINGER AND MY TIE IS BORING AS SOUP, ED


Crabby, crabby.


'Emergency Control Center: One Big Finger On The City's Pulse'


No! Don't look at your watch! Let's look at the 1968 recreation of these 1955 digs!


Everything is color-coded for maximum efficiency!




Operating on tactical alert frequencies - sounds crucial.


This set is more HOLD THE PHONE than any other episode.
I can't possibly type it this many times without ruining the gag forever.



This is a really exciting set, yeah?

What a nifty tie:


VINCENT DEE IS REALLY BRINGING DIVERSE TIES OUT THIS SEASON


Jeff Malloy and Cliff Sales or is it Cliff Sales and Jeff Malloy?


What a detail on that adding machine - "ECC Room Only" -


Lew Brown holding it down:


I CAN FLIP SWITCHES, TOO


S. John Launer:


"Since when do hoodlums go to church?"

Robert Patten, Jack, Harry.


Jack and Yvonne Lime:


Bill briefly turns into a muppet:


"Everybody got hot coffee?"

"That we got. How about some hot news?"


Vince Williams seems to be the reporter in the blue coat; Bill Baldwin is beside him in plaid. 
The other three, including the ECC Guard appear to be random extras.


The film stock on this episode seems really nice compared to some in which they go a to several different locations or soundstages and the image quality varies and sometimes suffers.


I don't have a lot to say about this episode, really. It's pretty great on its own.



Perhaps it's great because they stuffed a really interesting set with actors that we mostly know and nearly everyone has been on the show in a similar role, so there is evidence of a degree of familiarity expressed among everyone. I bet they shot this entire episode in one day.


One day, you say?


I'M GOING TO LOOK AT MY WATCH


Check out this Situation Report. 
He's using an overhead projector. My school had some that were the same model.
Math class nightmares. Ugh.


Time for TV on the TV:



Some of these black and white TV sequences are sort of famous.

"Television cameras were focused on the disturbances in the eastern section of the country.
The streets, the people, the faces-- they all looked vaguely familiar.
The riots and the rioters had a frightening sameness."

Alfred "The Shelster" Shelly:



CONGRATULATIONS. THIS EPISODE IS EXCELLENT.


The Situation Board is great. This is what we had before there were white boards and dry erase markers. I still prefer chalk.




I do love a happy ending.

WRAP PARTY
S3e4

Starred
Jack Webb as Sergeant Joe Friday (Executive Officer)
Harry Morgan as Officer Bill Gannon (Press Relations)
Art Balinger as Captain Brown (ECC Commander)
Ed Deemer as Sgt. Andy Blakely (Intelligence Officer)
Marc Hannibal as Officer Earl McNevin / "Mac" (Routing Officer)
Clark Howat sat Inspector Hagan (Department Press Relations Officer)
Robert Patten at Sergeant Joe Gunn (Red Tie)
Yvonne Lime as Policewoman Gloria Harbor (Executive Aide)
Lew Brown as Radio Operator (Don't call me Radio, Unit 91.)
Cliff Sales as Officer Jim Kenady (I thought he was Jeff Malloy?)
Alfred Shelly as Lieutenant Robert Ward (Alfred "The Shelster" Shelly)
Jeff Malloy as Officer Art Craignotti (I thought he was Cliff Sales?)
S. John Launer as Department Chief Houghton (Glasses, isn't he a doctor sometimes?)
Vince Williams as First Reporter (Blue jacket.)
Bill Baldwin as Second Reporter (Plaid jacket.)

Additional Cast
______ as ECC Guard
______ as Military Liaison
______ as Fire Department Liaison

Art Direction - John E. Chilberg, II
Set Decor - John McCarthy & John Sturtevant
Costumes - Vincent Dee

Aired 3 October 1968, only six months had passed.

"Dr. Martin Luther King, Jr. was buried on Monday, April the eighth, 1968. Los Angeles was quiet. On the day of the funeral and for several days after, rioting continued in a number of U.S. cities. Los Angeles was quiet."

This episode is one of the few to lack an 'everyone nods' sequence at the end.

Written By James Doherty

Everybody give Friday your attention for a minute,
Suzy Dragnet